Lot 449
Image du cadre
Autre image
Raumbeispiel
449
Hermann Stenner
Selbstbildnis im Kostüm (Der Römer), 1913.
Oil on canvas
Estimation: € 50,000 / $ 53,500
Selbstbildnis im Kostüm (Der Römer). 1913.
Oil on canvas.
Monogrammed and barely legibly dated in the lower right. 76.5 x 58.5 cm (30.1 x 23 in).
• Impressive exhibition history.
• Expressive and remarkable self-portrait after a visit to a festival, dressed as a Roman.
• The self-portraits are a key group of works in Hermann Stenner's oeuvre.
PROVENANCE: Estate of the artist.
Erich Stenner, Bielefeld.
Hermann-Josef Bunte Collection, Hamburg/Bielefeld.
EXHIBITION: Hermann Stenner 1891-1914, Städtisches Kunsthaus Bielefeld, November 9 - October 14, 1956; subsequently Württembergischer Kunstverein, Stuttgart, cat. no. 200.
Hölzel und sein Kreis. Der Beitrag Stuttgarts zur Malerei des 20. Jahrhunderts, Württembergischer Kunstverein, Kunstgebäude am Schlossplatz, Stuttgart, September 8 - November 5, 1961 (with the exhibition label on the reverse of the stretcher).
Zur Erinnerung - 10 Maler des Expressionismus, Karl-Ernst-Osthaus-Museum, Hagen, August 12 - October 15, 1967, cat. no. 77.
Hermann Stenner 1891-1914, Spendhaus Reutlingen, May 5 - June 16, 1974, cat. no. 32.
Der Hölzelkreis bis 1914, Kunsthalle der Stadt Bielefeld, June 30 - August 4, 1974, cat. no. 149.
Hermann Stenner. Gemälde, Aquarelle, Zeichnungen, Städtische Galerie Albstadt, December 4, 1977 - January 29, 1978, cat. no. 13.
The Fallen. An Exhibition of Nine Artists who Lost their Lives in World War One, Museum of Modern Art, Oxford, November 5, 1988 - January 15, 1989, p. 65.
Die Sammlung Hermann-Josef Bunte, Städtische Galerie, Papenburg, November 5, 1995 - February 25, 1996; Schleswig-Holsteinisches Landesmuseum, Kloster Cismar, March 31 - May 27, 1996, cat. no. 13 (illu. on p. 49).
Die Sammlung Hermann-Josef Bunte. Deutsche Malerei des XX. Jahrhunderts, Hamburger Kunsthalle and Galerie der Haspa, December 1, 1999 - March 5, 2000; Kunsthalle Wilhelmshaven, March 12 - April 24, 2000; Kunst-Museum Ahlen, May 21 - July 16, 2000; Museum Baden, Solingen, August 20 - September 17, 2000, p. 26 (illu.).
Verlorene Nähe. Menschenbilder in der Sammlung Bunte, Schleswig-Holsteinisches Landesmuseum, Schloss Gottdorf, Schleswig, December 1, 2001 - January 20, 2002; Städtische Galerie in der Reithalle Schloss Neuhaus, Paderborn, February 1 - March 13, 2002; Kunsthaus Kaufbeuren, March 21 - June 9, 2002, cat. no. 110.
Hermann Stenner. Gemälde. Retrospektive 1909-1914, Kunsthalle Bielefeld, June 1 - August 31, 2003; Galerie der Stadt Aschaffenburg, Jesuitenkirche, September 27 - November 16, 2003.
Hermann Stenner und der Hölzel-Kreis. Malerei und Graphik aus der Sammlung Bunte, Kunststiftung Hohenkarpfen, April 13 - August 17, 2003, p. 82, cat. no. 15 (illu. on p. 38).
Hermann Stenner, Schleswig Holsteinisches Landesmuseum, Kloster Cismar, July 31 - October 23, 2005.
Sammlung Bunte, Positionen der Klassischen Moderne, Kunst-Museum Ahlen, February 25 - May 28, 2007; Lyonel Feininger Galerie, Quedlinburg, December 1, 2007 - March 2, 2008; Städtische Galerie, Böblingen, March 16 - June 29, 2008; Museum Moderne Kunst, Passau, August 9 - September 29, 2008. 9.2008; Egon Schiele Art Centrum, Cesky Krumlov, October 31, 2008 - February 1, 2009; Kunsthalle Jesuitenkirche, Aschaffenburg, May 29 - September 6, 2009; Ernst Barlach Stiftung, Güstrow, September 27, 2009 - January 17, 2010; Kunsthaus Apolda Avantgarde, Apolda, January 24 - April 5, 2010.
Wege in die klassische Moderne. Sammlung Bunte, Schloss Achberg, April 17 - July 25, 2010; Neues Schloss Kißlegg, April 18 - July 18, 2010.
Westfälischer Expressionismus, Kunsthalle Bielefeld, October 31, 2010 - February 20, 2011; Kloster Schussenried, April 9 - June 26, 2011, p. 196 (illu.).
Das Glück in der Kunst. Expressionismus und Abstraktion um 1914. Sammlung Bunte, Kunsthalle Bielefeld, March 21 - August 3, 2014, p. 166 (illu.).
Hermann Stenner und seine Zeit: “.. dies Streben nach dem ganz Grossen etwas in der Kunst ..”, Kunstforum Hermann Stenner, Bielefeld, January 20 - August 18, 2019, cat. no. 180 (illu. in color on p. 95).
Die Sammlung Bunte. Expressionistische Meisterwerke des 20. Jahrhunderts, Gut Altenkamp, Aschendorf, July 12 - October 25, 2020.
Sehnsucht nach Natur. Hermann Stenner Christian Landenberger Adolf Hölzel, Kunststiftung Hohenkarpfen Hausen ob Verena, June 6 - August 22, 2021.
Im Westen viel Neues. Facetten des Rheinisch-Westfälischen Expressionismus, Sauerland-Museum, Arnsberg, September 19, 2021 - January 23, 2022, p. 114 (illu.).
Hermann Stenner (1891-1914), Richard-Haizmann-Museum, Niebüll, October 28, 2022 - January 22, 2023.
Hermann Stenner, Hymnen an das Leben, Werke aus der Sammlung Bunte, Städtisches Museum Engen + Galerie, February 28 - July 2, 2023; Kunsthaus Apolda Avantgarde, July 9 - September 3, 2023, cat. no. 67 (illu. on p. 110).
LITERATURE: Jutta Hülsewig-Johnen, Christiane Reipschläger, Hermann Stenner. Catalogue raisonné of paintings, published by Freundeskreis Hermann Stenner e.V., Bielefeld 2003, no. 118 (illu. on p. 151).
Hans Georg Gmelin, Hermann Stenner 1891-1941, Munich 1975, no. G 118.
Called up: June 8, 2024 - ca. 18.05 h +/- 20 min.
Oil on canvas.
Monogrammed and barely legibly dated in the lower right. 76.5 x 58.5 cm (30.1 x 23 in).
• Impressive exhibition history.
• Expressive and remarkable self-portrait after a visit to a festival, dressed as a Roman.
• The self-portraits are a key group of works in Hermann Stenner's oeuvre.
PROVENANCE: Estate of the artist.
Erich Stenner, Bielefeld.
Hermann-Josef Bunte Collection, Hamburg/Bielefeld.
EXHIBITION: Hermann Stenner 1891-1914, Städtisches Kunsthaus Bielefeld, November 9 - October 14, 1956; subsequently Württembergischer Kunstverein, Stuttgart, cat. no. 200.
Hölzel und sein Kreis. Der Beitrag Stuttgarts zur Malerei des 20. Jahrhunderts, Württembergischer Kunstverein, Kunstgebäude am Schlossplatz, Stuttgart, September 8 - November 5, 1961 (with the exhibition label on the reverse of the stretcher).
Zur Erinnerung - 10 Maler des Expressionismus, Karl-Ernst-Osthaus-Museum, Hagen, August 12 - October 15, 1967, cat. no. 77.
Hermann Stenner 1891-1914, Spendhaus Reutlingen, May 5 - June 16, 1974, cat. no. 32.
Der Hölzelkreis bis 1914, Kunsthalle der Stadt Bielefeld, June 30 - August 4, 1974, cat. no. 149.
Hermann Stenner. Gemälde, Aquarelle, Zeichnungen, Städtische Galerie Albstadt, December 4, 1977 - January 29, 1978, cat. no. 13.
The Fallen. An Exhibition of Nine Artists who Lost their Lives in World War One, Museum of Modern Art, Oxford, November 5, 1988 - January 15, 1989, p. 65.
Die Sammlung Hermann-Josef Bunte, Städtische Galerie, Papenburg, November 5, 1995 - February 25, 1996; Schleswig-Holsteinisches Landesmuseum, Kloster Cismar, March 31 - May 27, 1996, cat. no. 13 (illu. on p. 49).
Die Sammlung Hermann-Josef Bunte. Deutsche Malerei des XX. Jahrhunderts, Hamburger Kunsthalle and Galerie der Haspa, December 1, 1999 - March 5, 2000; Kunsthalle Wilhelmshaven, March 12 - April 24, 2000; Kunst-Museum Ahlen, May 21 - July 16, 2000; Museum Baden, Solingen, August 20 - September 17, 2000, p. 26 (illu.).
Verlorene Nähe. Menschenbilder in der Sammlung Bunte, Schleswig-Holsteinisches Landesmuseum, Schloss Gottdorf, Schleswig, December 1, 2001 - January 20, 2002; Städtische Galerie in der Reithalle Schloss Neuhaus, Paderborn, February 1 - March 13, 2002; Kunsthaus Kaufbeuren, March 21 - June 9, 2002, cat. no. 110.
Hermann Stenner. Gemälde. Retrospektive 1909-1914, Kunsthalle Bielefeld, June 1 - August 31, 2003; Galerie der Stadt Aschaffenburg, Jesuitenkirche, September 27 - November 16, 2003.
Hermann Stenner und der Hölzel-Kreis. Malerei und Graphik aus der Sammlung Bunte, Kunststiftung Hohenkarpfen, April 13 - August 17, 2003, p. 82, cat. no. 15 (illu. on p. 38).
Hermann Stenner, Schleswig Holsteinisches Landesmuseum, Kloster Cismar, July 31 - October 23, 2005.
Sammlung Bunte, Positionen der Klassischen Moderne, Kunst-Museum Ahlen, February 25 - May 28, 2007; Lyonel Feininger Galerie, Quedlinburg, December 1, 2007 - March 2, 2008; Städtische Galerie, Böblingen, March 16 - June 29, 2008; Museum Moderne Kunst, Passau, August 9 - September 29, 2008. 9.2008; Egon Schiele Art Centrum, Cesky Krumlov, October 31, 2008 - February 1, 2009; Kunsthalle Jesuitenkirche, Aschaffenburg, May 29 - September 6, 2009; Ernst Barlach Stiftung, Güstrow, September 27, 2009 - January 17, 2010; Kunsthaus Apolda Avantgarde, Apolda, January 24 - April 5, 2010.
Wege in die klassische Moderne. Sammlung Bunte, Schloss Achberg, April 17 - July 25, 2010; Neues Schloss Kißlegg, April 18 - July 18, 2010.
Westfälischer Expressionismus, Kunsthalle Bielefeld, October 31, 2010 - February 20, 2011; Kloster Schussenried, April 9 - June 26, 2011, p. 196 (illu.).
Das Glück in der Kunst. Expressionismus und Abstraktion um 1914. Sammlung Bunte, Kunsthalle Bielefeld, March 21 - August 3, 2014, p. 166 (illu.).
Hermann Stenner und seine Zeit: “.. dies Streben nach dem ganz Grossen etwas in der Kunst ..”, Kunstforum Hermann Stenner, Bielefeld, January 20 - August 18, 2019, cat. no. 180 (illu. in color on p. 95).
Die Sammlung Bunte. Expressionistische Meisterwerke des 20. Jahrhunderts, Gut Altenkamp, Aschendorf, July 12 - October 25, 2020.
Sehnsucht nach Natur. Hermann Stenner Christian Landenberger Adolf Hölzel, Kunststiftung Hohenkarpfen Hausen ob Verena, June 6 - August 22, 2021.
Im Westen viel Neues. Facetten des Rheinisch-Westfälischen Expressionismus, Sauerland-Museum, Arnsberg, September 19, 2021 - January 23, 2022, p. 114 (illu.).
Hermann Stenner (1891-1914), Richard-Haizmann-Museum, Niebüll, October 28, 2022 - January 22, 2023.
Hermann Stenner, Hymnen an das Leben, Werke aus der Sammlung Bunte, Städtisches Museum Engen + Galerie, February 28 - July 2, 2023; Kunsthaus Apolda Avantgarde, July 9 - September 3, 2023, cat. no. 67 (illu. on p. 110).
LITERATURE: Jutta Hülsewig-Johnen, Christiane Reipschläger, Hermann Stenner. Catalogue raisonné of paintings, published by Freundeskreis Hermann Stenner e.V., Bielefeld 2003, no. 118 (illu. on p. 151).
Hans Georg Gmelin, Hermann Stenner 1891-1941, Munich 1975, no. G 118.
Called up: June 8, 2024 - ca. 18.05 h +/- 20 min.
The frequency with which Stenner engages with himself in his art is quite surprising. Self-portraits, such as those by Lovis Corinth or Max Beckmann, with a scrutinizing gaze often address states of inner being, perhaps also compelling experiences, some of which are transferred into the painting in a disguised manner. In the lost portrait " Blauer Knabe" (Blue Boy), the artist shows himself confidently in an elegant costume and elegant surroundings. In the present "Selbstbildnis\~im\~Kostüm (Der Römer)", we also witness a moment in the artist's life. "I attended the artists' festival and had a great time," the artist wrote in a letter. "The costume consisted of a wide dark blue Roman cloak and a bright red cape. Both belonging to the Academy and they didn't cost me anything [..] some say it is the best of my paintings," he wrote to his siblings Lissi, Fritz, and Hugo on February 1, 1913 (quoted\~from:\~Karin von Maur, Der Maler Hermann Stenner\~im\~Spiegel seiner Korrespondenz, Munich 2006, p. 286).
In this painting from 1913, Stenner had ultimately refined his painting technique in his final creative phase. On a coarse, unprimed canvas, Stenner places his self-portrait in costume over a large area in strong color contrasts, with parts of the canvas left unpainted. He tamed his head of hair with a headband, like a Roman wreath, and staged himself with a direct, confident gaze against a background of irregular surfaces in light blue and delicate violet. The observer can sense Stenner's new painterly freedom, gained almost entirely from color. There is no doubt that his visit to the Sonderbund exhibition in Cologne the previous year had provided an enormous boost for Stenner's stylistic development, as he saw works of the latest developments in art there, Fauvism, Expressionism, and Cubism. Above all, the bold pictorial ideas of Cubists such as Picasso and Braque and their radical dissolution of the familiar pictorial structure and their fragmentation seem to have had a lasting effect on Stenner, as can be seen in the background of this picture. [MvL]
In this painting from 1913, Stenner had ultimately refined his painting technique in his final creative phase. On a coarse, unprimed canvas, Stenner places his self-portrait in costume over a large area in strong color contrasts, with parts of the canvas left unpainted. He tamed his head of hair with a headband, like a Roman wreath, and staged himself with a direct, confident gaze against a background of irregular surfaces in light blue and delicate violet. The observer can sense Stenner's new painterly freedom, gained almost entirely from color. There is no doubt that his visit to the Sonderbund exhibition in Cologne the previous year had provided an enormous boost for Stenner's stylistic development, as he saw works of the latest developments in art there, Fauvism, Expressionism, and Cubism. Above all, the bold pictorial ideas of Cubists such as Picasso and Braque and their radical dissolution of the familiar pictorial structure and their fragmentation seem to have had a lasting effect on Stenner, as can be seen in the background of this picture. [MvL]
449
Hermann Stenner
Selbstbildnis im Kostüm (Der Römer), 1913.
Oil on canvas
Estimation: € 50,000 / $ 53,500
Commission, taxes et droit de suite
Cet objet est offert avec imposition régulière ou avec imposition différentielle.
Calcul en cas d'imposition différentielle:
Prix d'adjudication jusqu'à 800 000 € : 32 % de commission.
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 32 % de commission, montants partiels supérieurs à 800 000 € : 27 % de commission.
La commission comprend la TVA, laquelle ne figure cependant pas sur la facture.
Calcul en cas d'imposition régulière:
Prix d'adjudication jusqu'à 800 000 € : 27 % de commission majorée de la TVA légale
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 27 % de commission, montants partiels supérieurs à 800 000 € : 21 % de commission, à chaque fois majorés de la TVA légale.
Prix d'adjudication supérieur à 4.000 000 € : montants partiels supérieurs à 4.000 000 € : 15 % de commission, à chaque fois majorés de la TVA légale.
Si vous souhaitez appliquer l'imposition régulière, merci de bien vouloir le communiquer par écrit avant la facturation.
Calcul en cas de droit de suite:
Concernant les objets réalisés par un artiste dont le décès remonte à moins de 70 ans, des droits de suite seront facturés qui s'élèvent à 2,4 % de la TVA légale incluse.
Calcul en cas d'imposition différentielle:
Prix d'adjudication jusqu'à 800 000 € : 32 % de commission.
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 32 % de commission, montants partiels supérieurs à 800 000 € : 27 % de commission.
La commission comprend la TVA, laquelle ne figure cependant pas sur la facture.
Calcul en cas d'imposition régulière:
Prix d'adjudication jusqu'à 800 000 € : 27 % de commission majorée de la TVA légale
Prix d'adjudication supérieur à 800 000 € : montants partiels jusqu'à 800 000 € 27 % de commission, montants partiels supérieurs à 800 000 € : 21 % de commission, à chaque fois majorés de la TVA légale.
Prix d'adjudication supérieur à 4.000 000 € : montants partiels supérieurs à 4.000 000 € : 15 % de commission, à chaque fois majorés de la TVA légale.
Si vous souhaitez appliquer l'imposition régulière, merci de bien vouloir le communiquer par écrit avant la facturation.
Calcul en cas de droit de suite:
Concernant les objets réalisés par un artiste dont le décès remonte à moins de 70 ans, des droits de suite seront facturés qui s'élèvent à 2,4 % de la TVA légale incluse.