Image du cadre
186
Günter Fruhtrunk
Destruktion / Entäusserung, 1979.
Acrylic on canvas
Estimation:
€ 80,000 / $ 92,000 Résultat:
€ 64,500 / $ 74,175 ( frais d'adjudication compris)
186
Günter Fruhtrunk
Destruktion / Entäusserung, 1979.
Acrylic on canvas
Estimation:
€ 80,000 / $ 92,000 Résultat:
€ 64,500 / $ 74,175 ( frais d'adjudication compris)
Günter Fruhtrunk
1923 - 1982
Destruktion / Entäusserung. 1979.
Acrylic on canvas.
Signed, dated, and titled on the reverse of the canvas. 173 x 301 cm (68.1 x 118.5 in). [EH].
• Exceptional vibrancy: the intense interplay of red, green, and black unfolds an intense, almost palpable effect
• Monumental format 173 × 301 cm – one of the strongest works by Fruhtrunk in terms of quality and color ever offered
• Exhibited in the retrospective at the Kunstmuseum Bonn / Museum Wiesbaden in 2023 – currently part of the exhibition discourse.
PROVENANCE: From the estate of Günter Fruhtrunk
Corporate collection, Southern Germany.
EXHIBITION: Günter Fruhtrunk. Retrospektive 1952 - 1982, Kunstmuseum Bonn / Museum Wiesbaden, 2023, p. 185, cat. no. 32.
LITERATURE: Silke Reiter, Günter Fruhtrunk. Werkverzeichnis der Bilder. 1952-1982, Berlin 2018, CR no. 876, (illustrated in color on p. 384).
1923 - 1982
Destruktion / Entäusserung. 1979.
Acrylic on canvas.
Signed, dated, and titled on the reverse of the canvas. 173 x 301 cm (68.1 x 118.5 in). [EH].
• Exceptional vibrancy: the intense interplay of red, green, and black unfolds an intense, almost palpable effect
• Monumental format 173 × 301 cm – one of the strongest works by Fruhtrunk in terms of quality and color ever offered
• Exhibited in the retrospective at the Kunstmuseum Bonn / Museum Wiesbaden in 2023 – currently part of the exhibition discourse.
PROVENANCE: From the estate of Günter Fruhtrunk
Corporate collection, Southern Germany.
EXHIBITION: Günter Fruhtrunk. Retrospektive 1952 - 1982, Kunstmuseum Bonn / Museum Wiesbaden, 2023, p. 185, cat. no. 32.
LITERATURE: Silke Reiter, Günter Fruhtrunk. Werkverzeichnis der Bilder. 1952-1982, Berlin 2018, CR no. 876, (illustrated in color on p. 384).


