Image du cadre
Raumbeispiel
131
Max Beckmann
Selbst im Hotel, 1922.
Lithograph
Estimation:
€ 4,000 / $ 4,720 Résultat:
€ 6,985 / $ 8,242 ( frais d'adjudication compris)
131
Max Beckmann
Selbst im Hotel, 1922.
Lithograph
Estimation:
€ 4,000 / $ 4,720 Résultat:
€ 6,985 / $ 8,242 ( frais d'adjudication compris)
Selbst im Hotel. 1922.
Lithograph.
Signed and numbered. From an edition of 100 copies. On creme wove paper. 45.5 x 32.2 cm (17.9 x 12.6 in). Sheet: 67,7 x 53,5 cm (26,6 x 21 in).
Sheet one from the portfolio “Berliner Reise” (Berlin Journey). Published by I.B. Neumann, Berlin, 1922. [AW].
• Beckmann confronts the viewer as a sharp and distant observer.
• Self-portraits play an important role in the artist's work.
• In the years after World War I until about 1924, Beckmann devoted himself intensively to graphic art, producing only a few paintings.
• Other copies of this edition can be found in the Museum of Modern Art, New York, the Kupferstichkabinett of the Staatliche Museen zu Berlin, and the Staatsgalerie Stuttgart.
PROVENANCE: Galerie Elfriede Wirnitzer, Baden-Baden.
Karin & Rüdiger Volhard Collection, Bad Homburg (acquired from the above in 1992).
In family ownership ever since.
EXHIBITION: Spektakel des Lebens. Max Beckmann. Arbeiten auf Papier, Sinclair House, Bad Homburg, October 19–December 9, 2001; Museum Folkwang, Essen, February 1–April 7, 2002; Ulmer Museum, Ulm, April 27–June 30, 2002, cat. no. 79.
LITERATURE: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, vol. 2, Bern 1990, cat. no. 213 B (of B)
Klaus Gallwitz, Max Beckmann. Die Druckgraphik, Karlsruhe 1962, cat. no. 182.
"[Nun] ist 'Berlin 1922' fertig. Ich glaube es ist eine gute und ganz amüsante Sache geworden."
Max Beckmann in einem Brief an den Verleger I.B. Neumann, 15. April 1922, zit. nach: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, Bd. 2, Bern 1990, S. 545.
Lithograph.
Signed and numbered. From an edition of 100 copies. On creme wove paper. 45.5 x 32.2 cm (17.9 x 12.6 in). Sheet: 67,7 x 53,5 cm (26,6 x 21 in).
Sheet one from the portfolio “Berliner Reise” (Berlin Journey). Published by I.B. Neumann, Berlin, 1922. [AW].
• Beckmann confronts the viewer as a sharp and distant observer.
• Self-portraits play an important role in the artist's work.
• In the years after World War I until about 1924, Beckmann devoted himself intensively to graphic art, producing only a few paintings.
• Other copies of this edition can be found in the Museum of Modern Art, New York, the Kupferstichkabinett of the Staatliche Museen zu Berlin, and the Staatsgalerie Stuttgart.
PROVENANCE: Galerie Elfriede Wirnitzer, Baden-Baden.
Karin & Rüdiger Volhard Collection, Bad Homburg (acquired from the above in 1992).
In family ownership ever since.
EXHIBITION: Spektakel des Lebens. Max Beckmann. Arbeiten auf Papier, Sinclair House, Bad Homburg, October 19–December 9, 2001; Museum Folkwang, Essen, February 1–April 7, 2002; Ulmer Museum, Ulm, April 27–June 30, 2002, cat. no. 79.
LITERATURE: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, vol. 2, Bern 1990, cat. no. 213 B (of B)
Klaus Gallwitz, Max Beckmann. Die Druckgraphik, Karlsruhe 1962, cat. no. 182.
"[Nun] ist 'Berlin 1922' fertig. Ich glaube es ist eine gute und ganz amüsante Sache geworden."
Max Beckmann in einem Brief an den Verleger I.B. Neumann, 15. April 1922, zit. nach: James Hofmaier, Max Beckmann. Catalogue raisonné of his prints, Bd. 2, Bern 1990, S. 545.